#Adobe illustrator tutorial books how to
Tutorials are generally solutions to specific problems, such as how to use a specific tool or how to make something, while online courses are teaching you knowledge and skills.
Some of you might think, aren’t tutorials and online courses the same thing? There are so many tools and features in Illustrator, it’s impossible to learn them all at once, so there’s always more to learn from the tutorials. Tutorialsīest for: learning about how-tos, and tools & basics.Ī tutorial is the go-to when you run into new tools in Adobe Illustrator that you haven’t used before or when you want to ask a “how-to” question! Books or courses don’t always go too deep into the tools & basics. Tip: Choose a book that’s project-based and has assignments, so that you can practice more “after class”. With creative ideas in mind, through doing projects and practicing, you’ll learn fast. Most of the Adobe Illustrator books come with hands-on projects, practices, and step-by-step instructions on how to use the basic tools & features. Once you’ve learned the concepts and principles, you can apply them to real-world projects. Booksīest for: learning graphic design concepts.īooks can be the best way to learn design concepts and principles, which are essential if you want to use Adobe Illustrator like a pro. Learning about practical projects is much more important. Tip: I highly recommend choosing a project base course instead of a tool & basics based course because you can learn about the tools from other online tutorials. The difficult part might be self-discipline, so make sure that you practice on your own. There are so many Adobe Illustrator online courses from universities, design institutes, agencies, or blogs and there are so many courses focusing on different niches. It was somehow complicated (I’m talking about back in 2013), so it was actually nice to take the online class because I could go back and pause on the steps that I couldn’t follow at once. I took an online Illustrator class one summer and the class was about making charts & graphs. If there’s anything you didn’t get the first time you watch the recorded course videos, you can always go back to see the videos again. The best thing about Illustrator online courses is that you can learn them at your own pace and the schedule can be flexible. Tip: If you want to become a graphic designer, learning Adobe Illustrator isn’t all about learning the tool itself, it’s more important to be the creative “idea person”, and then you can learn the tools to make your thinking into projects.
#Adobe illustrator tutorial books professional
Learning from each other is the best way to improve your ideas and skills.īesides teaching the programs, the instructor usually teaches some design thinking as well which is essential for you to be a professional graphic designer or illustrator. This piece of information will be useful to art Scholars, art teachers and art practitioners at large who intend to develop their potentials in illustration technique.One big advantage of learning in a classroom is that you can ask questions or feedback anytime and get an immediate response from classmates or instructors. Basic information on digital illustration will also be enumerated in the project.
Vector and Raster techniques of computer graphics will be employed and discussed. In view of this, this study uses Adobe Photoshop CS4, a digital draw and paint tool, to illustrate some of the notable folktales in Igbo oral tradition. However, much experiments and visual expressions of Igbo folklore have not been explored using these modern digital media. Today, digital media in Nigeria is not farfetched. During the heydays of contemporary Nigerian artists, art scholars like Uche Okeke, Chike Aniakor, and Obiora Udechukwu, to mention a few, used visual metaphors to portray some of the Igbo folklore, particularly in the form of Uli lines.
Thus this led to various publications on the Igbo folktales. With that, a lot of oral literature were researched on and written down. Time came when scholars from Nigeria and Igbo Society in particular came to academic recognition of the latent potentials in folktales. From past times oral literature had been the norm for the transmission of folktales.
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